There is no such thing as breaking the first, second, or third wall because the word is derived from the assumption that a room has four walls. The "fourth wall" on stage is fictitious since it is where the audience is situated. There is also no such thing as shattering the fourth wall because there is no such thing as destroying evidence.
The first wall is the front of the house. The third wall is the curtain that separates the backstage area from the audience. The fourth wall is the side of the theater where you are standing if you're in the audience. It's also called the screen wall because it often serves as the backdrop for a film or television show.
The first wall contains the box office where people line up to pay money so the theater can buy food and drinks for its staff and guests. The second wall includes information signs about the play or movie, restrooms, and other amenities. The third wall is made of cloth and usually changes color to indicate which scene is happening inside the studio. The fourth wall is made of glass or plastic and allows people outside the booth to see what's going on inside.
Sometimes actors will break the fourth wall by looking directly at the audience or waving at them.
"Breaking the fourth wall" at a theater does not need the hiring of a contractor to clean up the damage. Instead, it relates to the idea that performers must pretend that the audience does not exist in order to fully immerse themselves in the plot and preserve suspension of disbelief.
Theater owners often hired "house artists" to help manage their theaters. They would make repairs to the building or replace lights or other equipment as needed. Sometimes they would even write new plays for performance by the company who owned the theater. These writers were usually experienced actors who had success on the stage or screen so they knew how to draw an audience's attention to itself. Some famous examples include William Shakespeare, Anton Chekhov, and Arthur Miller.
The term comes from early modern English theater where those who acted parts without physical presence on the stage (such as servants or animals) would speak directly to the audience. These speakers would address them by name and sometimes even interact with them directly. For example, Richard III might say something like "foul deeds will have their reward", and then look straight at the seat next to you. This technique was used not only by villains but also by heroes who wanted to encourage applause after they had won a battle or completed a speech.
Early modern English theater used two types of actors: male and female. Male actors would wear costumes and perform the roles of men, such as princes or kings.
The fourth wall is a fictitious barrier that divides the tale from reality. This word is derived from the theater, where three enclosing walls encircle the stage but an unseen "fourth wall" is left out for the sake of the audience. The illusion of reality is thus preserved because the spectators believe that they are looking at the real world rather than a representation of it.
In film and television, the fourth wall refers to the imaginary line that separates the viewer from the onscreen characters. It is often indicated by the phrase "the actor is only pretending to talk to you", or similar language. Although usually not shown, some films and televisions programs include references to the fourth wall; for example, an episode of The Simpsons titled "Kamp Krusty" features a character saying, "Hello, I'm Bart Simpson. Why aren't we watching TV?"
The fourth wall can also be broken by actors during interviews or other appearances. This is known as "breaking the fourth wall". An example of such an act is Mandy Moore tearing up while talking about her role in the movie Thirteen Ghosts: "I know this sounds crazy, but I really feel like someone is inside my head when I'm acting out these scenes."
The fourth wall is a mental barrier that exists between individuals who provide some form of communication and those who receive it. The phrase originated in the theater, where it refers to the imagined wall that separates the audience from the actors at the front of the stage.
People communicate through speech, writing, or visual images. In order for others to understand you, you need to use these methods too. When you talk about something, such as your experience, you are describing what you know. So if someone asks you about something you have seen or done, you can tell them by saying "I talked about this on the web site." Or you can say "Here is how people reacted online." Written words allow others to read about your thoughts and feelings without being present. Visual images can show others what you are thinking by just looking at them. These forms of communication are useful tools for getting a message across.
In theater, the fourth wall is the imaginary line that divides the audience from the performers. This division allows the audience to feel like they are a part of the show even though they are not physically there. Actors on stage could look back at listeners in the audience, or speakers up on the podium, and know that they are being watched or heard by someone. They also know that nobody else is allowed past this line so it provides some protection for them in case their emotions get the better of them during a performance.