Hugues Libergier, an architect, The movement was named for the "rays" of light that radiated from the glass. Around 1231, Hugues Libergier, a Gothic architect, began developing the style in the Abbey Church of Saint Nicaise in Reims, France. His work inspired later artists like Jean de Brie and Jean Le Marescalles.
Libergier built his church by attaching colored glass panels to the exterior walls of the structure. The abbey was destroyed during the French Revolution but some of its windows survived and are now housed in other churches across France.
The new style of architecture brought about many technological advances that had never been done before. For example, wood is very heavy so engineers developed ways to make structures stronger with less weight such as using stone instead. The Gothic style also included large numbers of small windows instead of one big window, which provided more light and air into the building.
Another innovation that came about because of the need for more light inside buildings was the stained-glass window. Previously, only wooden shutters were used for window coverings because they did not require painting or any other type of maintenance. But the painters of Paris wanted something better so they created glass paintings that still can be seen today in some French churches.
In conclusion, Gothic architecture and stained glass were started by an architect and artist named Hugues Libergier.
Hugues Libergier, Gothic architect, first began creating the style in the Abbey Church of Saint Nicaise in Reims, France around 1231. Although there are similarities between his work and that of previous architects such as Hildegard of Bingen and Cimabue, he is considered the father of French Gothic architecture.
Gothic architecture was originally an international style used throughout Europe for large church building projects. However, it is possible to distinguish two main periods within this era: 1150-1250, known as the Early Gothic period, and 1350-1450, called the Late Gothic period. The early goths built large churches with wide-open spaces and few or no interior walls; they were designed to accommodate large crowds. The late goths built smaller churches without aisles; instead, they had multiple small rooms called naves, which allowed more space inside the building.
The original Gothic cathedrals and large parish churches constructed during the early period still stand today, but very few examples remain from the late period. When buildings using the Gothic style became popular again in the 15th century, they were once again used for large scale projects, this time including palaces and houses for the wealthy.
The Gothic style began in France with the choir of the Basilique Saint-Denis, which was constructed by Abbot Suger and dedicated in June 1144. The most important feature of the Early Gothic era (c. 1180-1250) was the lancet, a pointed arch, which resulted in beautiful structures with smaller walls and greater light. The Late Gothic period (c. 1295-1550) brought larger churches with more elaborate architecture that were inspired by the Renaissance.
The medieval world's geographical center was located in Europe, on the continent's largest island - Great Britain. Medieval maps showed Britain to have only two borders: to the south it was bordered by Ireland, and to the north it was bounded by Scotland. In reality, Britain had many other boundaries including the English Channel, the North Sea, and even its own small ocean - the Irish Sea.
Britain's geography helped make it a powerful country during the Middle Ages. It has huge areas of flat land that are perfect for farming - especially important since there were no tools or machines used in agriculture at this time. The British climate is also useful for growing crops; it is mild without being hot, so seeds can be planted early and harvested later. Finally, Britain's location at the intersection of different cultures made it famous for its trade - especially with Europe but also with Asia via Ireland. During the Middle Ages, Britain was never completely isolated from the rest of the world.
The late Romanesque and Gothic architectural movements emphasized fenestration and openness. Pictorial stained glass windows became a prominent art form and the most important single element in church decorating in Northern Europe at the time. The earliest known stained-glass artists date from around 1170, but the actual beginning of mass production is unclear. By the mid-13th century, workshops produced hundreds of windows for use within France and Germany.
During this period, it was common practice for wealthy merchants to provide the money for new buildings or renovations to existing structures. As their names suggest, these men were usually French or German, with connections to trade. They would hire local architects to design the buildings they wanted constructed and then donate money toward their construction through donations to religious institutions. These architects would be chosen based on their reputation for creating beautiful designs. For example, one famous 12th-century architect named Henry III was said to have designed over 300 churches during his lifetime.
In order to pay for these windows, traders often borrowed money from banks or other lenders. Sometimes shops would borrow funds from each other in order to pay for large orders such as those placed by the Church. If the business owner failed to repay the loan, the bank could ask the merchant to sell some of his goods to cover the debt.
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